The only non-porcelain retail offering from the Cybis studio was a 1970s art issue called the Folio One. This was a limited edition reproduction series taken from nine conté drawings of Native Americans made by Boleslaw Cybis in 1939 and 1940. Conté is the name of a type of crayon made of compressed charcoal or graphite mixed with wax or clay. The artist Georges Seurat was particularly fond of using conté for his drawings.
Boleslaw Cybis was fascinated by the Native American (then typically referred to as American Indian) culture and peoples. This may seem odd when you consider that much of his ceramic-based works were distinctly Rococo and/or Old World European in style….a pretty stark contrast, I’d say! But Cybis was nothing if not eclectic in his tastes.
Although it’s probable that he created a fair number of portrait drawings in this genre, according to the 1979 Cybis catalog the nine that were selected for retail reproduction are the “only drawings of the Indians to have been preserved. Two other originals were Presidential gifts to Poland; the others are in the Cybis archives.” The somewhat awkward phrasing seems to suggest that the “other originals” were two entirely different drawings (thus meaning that 11 survived), and that the Cybis Studio continues to possess the originals chosen for reproduction.
The chosen originals were reproduced as color lithographs, in an edition of 1000, in 1970. This meant “1000 of each individual print.” At present its original issue pricing is unknown, but a Spring 1972 dealer price list shows the full set of nine at $500. Individual prints could also be purchased at either $50 (for Comanche, Shoshone, or Apache) or $65 (for any of the others)… representing a $40 savings when buying the entire folio at once versus singly. A 1982 price list does not include these items, indicating that they were no longer available for purchase. Strangely, although the 1979 Cybis catalog devotes a section of text and photos to the Folio One issue, it is not included anywhere in the Appendix which shows the issue and closing years and prices of Cybis porcelains.
A 1973 dealer price list from a major West Coast retailer of Cybis does not include the Folio One at all, so it is possible that the edition was completed (whether reduced in quantity or not) by the end of 1972.
According to the 1979 Cybis catalog text “Each of the 12″ x 20″ prints is hand-numbered on heavy Beckett rag-content paper, with a specially designed validating hallmark in the lower right-hand corner, and carries an accompanying page with a brief tribal history.” The hallmark is blind-embossed, not surface printed.
However, the Spring 1972 dealer price list cited above described the prints as being 17″ x 23″ in size. Checking past auction listings for the set, the actual prints are indeed 17″x23″, not 12″x20″ as the Cybis catalog describes them. The overall size of the set’s burlap-covered box is 18.5″ x 24.5″, so where the 12×20 dimension came from is very puzzling indeed…. it doesn’t seem any sort of logical typographical error.
These nine portraits represent seven different tribes; it’s not known which tribes the two originals that were given as Gifts of State (if that’s what the catalog text means) represented. The tribes here are – in the same order as the Folio One set is numbered – the Comanche, Shoshone, Taos, Apache, Hopi, Mohave, and Yuma. A bit of trivia is that only two of those tribes (Apache and Shoshone) were featured within the modern studio’s North American Indians porcelain series. The images below are identified exactly as they are within the set.
Comanche ‘Indomitable Spirit’ was also used as the design for the porcelain medallion that adorns the set’s cover page.
This chieftain is Shoshone ‘Silent Thoughts’ and to my mind reflects the immeasurable burden than always accompanies being a true leader.
Taos ‘Timeless Ritual’ displays a traditional “roach” headdress.
Apache ‘Pride Runs Deep’ exhibits the strength and dignity of this famous tribe.
Hopi ‘The Farewell’ has an aura of ineffable sadness. The Hopi are one of the oldest surviving cultures anywhere in the world.
Mojave ‘Eyes of Amber’ is sometimes altered to “Amber Eyes” by resellers, but the copyrighted Cybis title is as given here.
This very unusual portrait is titled Apache ‘Image Makers’ and depicts the ritual Devil Dancer or Spirit Dancer headdress and fully swathed face. In Apache culture and legend, the Devil Dancer is a somewhat mischievous although benevolent spirit.
Hopi ‘Old Woman’ evokes the calmness, wisdom and acceptance of old age.
Yuma ‘Vanished Dreams’ reflects the history of this West Coast tribe which suffered 100 years of almost continual warfare from various sources starting in 1775.
Each portrait was accompanied by an information text page similar to the one shown above.
The facing page of each Folio One set was printed on extra-heavy stock, upon which was mounted a plain white bisque medallion modeled after the Indomitable Spirit portrait. The mold includes the designation CYBIS 1970 on the front. The other later iterations of the medallion are shown in the next post.
Each Folio One image came with a certificate of authenticity from the Cybis Studio, which is something that they rarely did for any issue. The COA had the name of the print, followed by “1 of a set of 9 colored drawings, comprising Folio One of American Indian drawings by Boleslaw Cybis. In limited edition of 1000 on rag-content stock. Authenticated: CYBIS by [signature] Marylin Chorlton, Art Director. Underneath is an area in which the actual individual print’s number was handwritten in a #/1000 format. Thus there are nine separate COAs accompanying a full set.
It’s not known whether the logo above (with the words Limited Edition added in an arc above) is the same as the one that is blind embossed on the actual prints. This logo may have been used only for print material or maybe even only for this particular series.
According to a news article in the Spokane Daily Chronicle on April 11, 1973, “All original plates for Folio One have been destroyed in the presence of James Mitchell, assistant curator of Americana at the New Jersey State Museum in Trenton.” The purpose of the newspaper article (entitled, rather awkwardly, “Prints Party Gifts”) was to publicize the presence of a Folio One set in an upcoming local auction: “North American Indian prints – Folio One — …have been presented to the Wampum auction May 13 by Cybis Graphics of Trenton, NJ.” Another full Folio set was donated, along with nine Cybis sculptures, by Joseph Chorlton to Alfred University (NY State College of Ceramics) in June 1980 for their permanent study collection.
The complete Folio One set was enclosed within a presentation box covered in burlap, with what appears to be a heavy gold foil paper sticker.
This magazine advertisement from 1971 shows the Folio One as well as the limited edition porcelain Cree ‘Magic Boy’. Notice that the studio is identified here as “Cybis Graphics” rather than the Cybis Studio or simply Cybis. Were they planning to release additional graphic arts items in the future, but never did so?
The sixteen different Native American sculptures issued by the Cybis studio from 1969 onward are shown in North American Indians.
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