The Cybis studio produced porcelain flower studies regularly throughout its history. Their roses, flower baskets and of course the one of a kind Flower Bouquet of the United States are shown in separate posts, but there are still plenty of other floral sculptures to browse through! They are shown below in chronological order by introduction year.
The 1971 exhibit catalog Cybis in Retrospect cites a small (6″high) glazed Flower Tree, circa 1940, as the “first porcelain created by Boleslaw Cybis in the United States.” Technically this is accurate if one takes the word “porcelain” as the determining factor, because there was a piece made even earlier: a Medieval Horse created by him in 1939. However, that piece was made of his “papka” formula rather than traditional porcelain. (The horse is shown in the 1940s Papka post.)
There is one documented 1950s floral piece and I’m quite sure there were probably more. Berries on Bough is included in an abbreviated, name-only text list of verified Cybis sculptures but with no further information.
Two early Cybis bird studies feature a specific flower both in the design and the sculpture name: Azalea with Cerulean Warbler and Magnolia with Bird. The 1950s Birds post includes an image of the former but not the latter. Both are about 6″ high.
All of the following flower studies were introduced after 1960.
The lovely Golden Clarion (Lily) was a limited edition of only 100 which sold for $250 during its production run between 1961 and 1970. It is 11” high.
Iris was a limited edition of 250 between 1963 and 1970. It is 16.5” and sold for $500 throughout. The Cybis catalog does not mention alternate colorways, and so I do not know if there was a color change from the original (purple) color during production, or whether the yellow version in the second photo is a one of a kind. See the Narcissus below for an illustration of how the sculpture was made to fit into the specially designed wood base.
Magnolia, 4” high x 7” wide and designed by Lynn Klockner Brown, was introduced in 1963 in two versions: white and “color” according to catalog, which probably means the pink. The white version was retired in 1965, having been priced at $45 throughout. The pink one was made until 1979, but the price rose from $67 at introduction to $310 at retirement. All of the white ones came with an accompanying rectangular wood base. The pink version also came with a base until September 1975, at which point the base was discontinued.
The branch element is the same one that Cybis had used several years earlier for their Goldfinch (shown in Later Birds.) This piece is often misidentified by online sellers as being a waterlily. This was an open edition, and is an entirely different sculpture from Magnolia ‘Southern Belle’, a limited edition from the 1980s shown below.
Although the white one was made for only two years, there are two slightly different versions of it. The main difference is in the central boss of stamens and pistils (although the petal widths seem to be slightly different as well.) The first photo above shows the flower that has what I call the “heavier center”, versus the “lighter center”seen in the second example. They are clearly different but I have no clue when or why the change from one to the other was made.
To be completely precise, there were three versions of this sculpture… although I have no idea whether the one shown below was actually put into production or was a prototype.
This photo is from the 1965 printing of a black and white Cybis catalog. Notice the difference in the shape of the petals and how the inner ones are open rather than upright. The two production versions each exhibit some characteristics of this early example.
The Blush Orchid was another open edition piece that was made in both white and “color”. It is 6” high and was made only in 1963, 1964 and 1965. The white version sold for $65 and the color for $75. Because the Cybis official photo was only in black and white, I do not know what color the non-white version actually was.
The Windflower was an open edition that had multiple colorways. The 1979 Cybis catalog lists in in two colorways: “white” and “color.” It is 8” high and made its first appearance in 1963 (apparantly 1963 was a banner year for Cybis flowers!). The white version sold for $35 and was retired in 1965. (Designed by Lynn Klockner Brown.)
The color version(s) began at $50 and continued to be produced until at least 1982 and quite possibly even longer. It’s not known whether all three of these colorways (pink, reddish, and purple) were sold at the same time or whether over the 2+ decades of production the colorway shifted from one to another.
The actual flower depicted is Anemone coronaria. According to a Cybis advertisement,
Long ago, one of the gods following the chase saw and fell in love with a beautiful lady. But she dreamed only of her true love who had ridden away to go around the world with the East Wind, promising ‘with the West Wind, I will come back to you.’ The beautiful lady turned her face away from the god while her little dog barked at him. So the god turned her into a Windflower, where she still bends after the West Wind, watching and waiting for her true love’s return. Her little dog was turned into a ladybug, which is shown on the Windflower’s leaf.
The Dahlia was a limited edition of 350 in 1964, at $450. The edition was completed in 1968 at $500. It is 12” high. Although the 1979 Cybis catalog does not mention it as having had more than a single colorway, the photos above clearly show that it was made in at least two: white, and a golden yellow. Each of the approximately 100 petals on the flower was individually created and applied by hand. It was designed by Marylin Chorlton, who plucked a full-blown dahlia from a local garden as her inspiration.
The Christmas Rose (Helleborus niger) was also a limited edition. It is 7.5”high and was made 1965 -1970 in an issue of 500. The edition began at $250 and was completed at $300. It was designed by Lynn Klockner Brown.
Examples vary slightly in the construction of the center of the flowers and it appears that the earlier ones (top photo) were more naturalistically delicate than the later versions. It’s possible the change was made as a result of production problems, with the redesigned ones (second photo) being less prone to breakage. (It’s unclear whether the missing central stamens were eliminated in production or were broken off.) The bottom photo shows actual hellebore flowers.
Calla (Lily) was also a limited edition of 500, and it sold for $750 throughout. Introduced in 1968, it was completed in 1974. It is 16.5” high. The standard edition was white as shown in the first photo; it’s not known if the pink version is one of a kind. See the next sculpture (Narcissus) for an illustration of how the piece fit into its base.
Narcissus was another 1968 limited edition of 500. It sold for $350 until completion in 1973. The second photo shows how the sculpture fits into the separate wood base. The circular hole in the base is ringed with cork on the inside; the cork extends slightly above the upper surface so that the wood doesn’t actually touch the porcelain at all. A circle of grey felt was then applied to the inside bottom of the ‘well’, and also to the bottom of the Narcissus. The result is that the sculpture fits very snugly into the base but it still removeable if desired. The same construction method was used for the Iris and the Calla Lily, but apparantly not for any other floral pieces afterward. (Designed by Lynn Klockner Brown.)
Mushroom ‘Jack-O-Lantern’ was an open edition made for only three years: 1970, 1971 and 1972. It is 7” high and sold for $225. There are two slightly different versions of this piece: Some have the butterfly perched on a mushroom cap, while on others it is on a leaf. The photo in the 1979 Cybis catalog shows it on the mushroom cap but because catalog photos were sometimes of prototypes that’s no indication of which position was first or next (the catalog photo actually shows the butterfly on a slightly different spot on the cap anyhow.)
The Dutch Crocus is 8.5” high and 10” long. This was a limited edition offered in 1970 in two named colorways: ‘Golden Goblet’ and ‘Blue Enchantress’. The designer was Lynn Klockner Brown. The Cybis catalog is a bit confusing as to the edition size per name. It indicates an initial declared edition of 700, which was halved to 350 before it closed in 1974 (the pricing going from $550 to $650 during that time.) However, it does not say whether the issue size was per colorway (350 of each) or per sculpture (350 total.)
Cybis obviously liked the two-colorway format because their next introduction was titled Pansies ‘China Maid’ (yellow) with butterfly which clearly indicated that they intended to also create more than one color of it. A limited edition of 1000 for $275 from 1972 – 1974, it is 7”high.
This study can be assigned to the “flowers” category as well as to “birds.” American Crested Iris with Bob White Chick appeared in 1972 as an edition of 500 which was reduced to 400 sometime before 1979; it had not yet been completed by that year although it may have been shortly thereafter. The issue price was $975 and the dimensions are 7.5” high x 10.5” wide. This piece was also designed by Lynn Klockner Brown.
A 1974 newspaper article mentions a Cybis piece named Snowden Crocus presented as a gift to Princess Margaret when she visited Canada that year. This may have been a one of a kind piece, or it may have been a special colorway or adaptation of the Dutch Crocus; there was no photo with the article.
And as expected, here is Pansies ‘Crinoline Lady (purple) with butterfly, which was introduced the year after the completion of its yellow sibling. It too was a declared edition of 1000 but that was reduced to 600 before closing. Its issue price in 1975 was $295 and when completed by 1982 it was $395. I am still perplexed as to why Cybis used the plural (pansies) in a title that references a specific cultivar name! (It should properly be Pansy ‘Crinoline Lady’.)
Apple Blossoms was an edition of 400 in 1977, at $350. Completion date and final issue size (if ultimately different) are not known. This piece is 4” high and 8” long, and was a Lynn Klockner Brown design.
Cybis again played the ‘colorways game’ with Clematis (Mauve) which is an open edition introduced in the spring of 1977 and retired in the spring of 1978. It is 6” high and sold for $235.
Clematis (White) appeared in 1978 (not known whether as a Spring or Fall introduction) at $235. It was still being produced as of the 1979 Cybis catalog printing.
Spring Bouquet is 9.25” high and was introduced in 1982 as an edition of 200 at $750. This beautiful piece is another Lynn Klockner Brown design. Completion date and final price are unknown; my guess is that it probably sold out quickly. There is a YouTube video showing multiple views of this piece here.
This composite photo shows both sides of Camellia ‘Pink Taffeta’ which was a limited edition of only 50 from the mid 1980s, possibly circa 1985 because it appears in the 1986 Cybis catalog. It is 9” high and 7” wide.
Magnolia ‘Southern Belle’ is a limited edition of only 50 sculptures that was introduced in the mid-1980s. It appears in the 1986 Cybis catalog but does not appear in a 1988 price list, so probably sold out very quickly; pricing is unknown at present. Dimensions are given as 5″ (height) x 11″ although from this single photo it’s hard to tell whether that refers to diameter or length (if a branch extends behind the flower.)
This pink dogwood with nest and butterfly is a very slight adaptation of their Wood Wren With Dogwood which was produced from 1963-1981. This “birdless” piece may have been created for a retailer’s gallery event. The bird has been removed from the nest and replaced by a dogwood flower (which, frankly, looks very awkward and contrived; they’d have done better to remove the nest entirely and simply substitute the additional flower) and a butterfly has been added. In this later piece, the construction of the nest itself is entirely different: It’s clearly been cast as a single piece rather than utilizing “spaghetti strands” of porcelain. It’s not known whether this event piece was given a name, nor in what year it was produced. These two examples illustrate the very different effects that result from variations in the hand painting of Cybis pieces.
Here the dogwood/butterfly issue is shown with the Wood Wren for comparison.
The limited edition Pink Dogwood ‘Blush of Spring’, dating from the mid-1980s, is an expanded adaptation of the two pieces shown above. However, the flowers are entirely different in construction. This piece appears in the 1986 Cybis catalog as an edition of 50, measuring 6 3/4″ high and 9 1/2″ wide (the Wood Wren is 5 1/2″ high.) It is missing from a 1988 price list and so may — like the limited edition Magnolia — have been either sold out or closed fairly quickly. Pricing is unknown.
This piece was sold as Iris despite there having been an entirely different previous (1960s) study by that very name. This is the only known instance of Cybis having used the exact same name for two different designs. This one is an open edition measuring 5.75” high x 7.5” wide. It was introduced in 1988 at $425.
Mountain Laurel with Butterfly is 5.75” and uses the exact same ‘branch’ mold as their Holiday Rose with Holly which first appeared in 1987. Because the Holiday Rose appears on a 1988 price list but the Mountain Laurel does not, it’s likely that this was introduced in the very early 1990s. Its only known Cybis price, circa 2008, was $395.
Water Lily with Frog is only 2.25” high; the frog is peeking out from the lefthand side of the flower. It is 4.25” wide and was shown in Cybis’ special 50th Anniversary brochure as a 1989 introduction at $325. Any pieces that were physically produced during 1989 will have the special backstamp shown in Signatures and Marks.
I am not sure whether this blue morning glory was ever released as a retail edition; in any event, this particular one is the original artist’s proof (Lynn Klockner Brown.) It is 3.75″ high and according to the auction description has “some losses and repair” to one of the flowers.
A number of the post-1960 bird studies also incorporated a specific flower or plant in the design and the sculpture name. In addition to the iris-and-bobwhite and Wood Wren shown above, they were the Blue Headed Vireo with Lilac, Clematis with House Wren, Golden Crown Kinglets with Crab Apple, Golden Winged Warbler with Andromeda, Goldfinch with Violets, Hermit Thrush with Cranberry Cotoneaster, Kinglets on Pyracantha, and Nestling Bluebirds on Cockspur Hawthorn. All of these are illustrated in Cybis Later Birds.
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